LEGION OF THREE WORLDS #1 has been a long wait for this long-time Legion fan. Being a huge fan of the Levitz Legion, I've never really recovered from the Five Year Gap (especially since they killed off my Phantom Girl), and while I have enjoyed other incarnations, especially the current Threeboot Legion, I have longed for some resolution to the Legion's increasingly muddled history. I'm not going to pin too many hopes on this, but it is at least encouraging to see DC acknowledge the conundrum and try to address it, and extremely encouraging to see that Superman is right where he should be: firmly in the middle of it all.
It's encouraging to hear quite a few people who aren't reading FINAL CRISIS talk about picking up this title, and you certainly don't need to be reading the main book to follow it. It will help if you've read Geoff John's Legion arc in ACTION however, as the "main" Legion in this book (at least Issue #1) is the Legion introduced in that run, which is as close to the Levitz Legion as we're going to see. While trawling the web I found GeniusboyFiremelon's pretty comprehensive annotation of Issue #1 if you need help making sense of who's who and what happened. The Perez art is fantastic of course, and the issue is well written, with hopes that the uber-annoying Superboy/man Prime is going to do something here besides rip people in half, which would be a nice chance.
No idea how this is going to end, but I am definitely along for the ride!
In broader brushstrokes, BIRDS OF PREY #121 signalled a continued turnaround for this title which seemed to be floundering under Sean McKeever, Tony Bedard is bringing some fun and direction back to the title, which seems refreshed with a new location, some new cast members and some interesting subplots. I'm not a fan of the Misfit character, but even she is less annoying and more interesting in Bedard's take, and the subplot involving a link between Misfit and Black Alice is looking to be interesting.
Issue #121 continues building up the Birds' new Rogues Gallery at "Platinum Flats", and adds the Joker into the mix for an interesting turn. It's very well scripted, fast paced and engaging. Well supported by Michael O'Hare's art, altho Nicola Scott's pencils were missed by this reader.
If the rumours that Bedard will be writing a Legion title after Final Crisis are true, I'm cool after reading this.
I'll give a quick mention to JUSTICE LEAGUE OF AMERICA #24 simply because it's nice to see this title has had a run of solid issues that don't rely on crossovers. Dwayne McDuffie is handling the reigns of what should be DC's flagship title well without having to be overly flashy - anyone that can centre a storyline on Vixen and Animal Man is tops in my book!McDuffie's use of the JLA cast is excellent, and I enjoy the way that heroes other than the Big Three get the limelight - my favourite moment in this issue came when Black Canary shatters Amazo's head with her canary cry. Zatanna is also used well in this arc, and if future covers are anything to go by it looks like she may be joining the roster, which is fine by me.
Hopefully whatever Final Crisis does to the DCU won't mean that this title has to be rebooted, because it's sailing along quite well, thanks.
As much as I hate to do so, I'm going to have to flag one of my favourite books, X-FACTOR, for issue #34, as my pan for this week based solely on Larry Stroman's art. I. Do. Not. Like. A great comic is always about the synergy of writer and artist, and I am missing Pablo Raimondi something chronic! .A shame, too, because these last couple of issues with She-Hulk, Longshot and Darwin have had the potential to be quite good, and seem to be important for the future direction of the book, but Stroman's storytelling just isn't up to the task. There are still some panels from #33 I'm trying to work out where he's just missed the mark completely.
I don't know how long Stroman is around for, but if it's permanent, then I may have to make a permanent exit from what has been one of my fave titles in the last few years.
Until next week!